On the 22nd of november the Landscape Architecture master students went on another of many adventures. This time, the path led to Holwerd, a historical village in Friesland on the coast of the dynamic and beautiful Wadden Sea and to the island on the other side, Ameland.
Being the biggest tidal area of the world, the Wadden Sea is one of Holland’s prides showing an intriguing interplay of nature’s power and man’s whit. With its rich ecology and its captivating views, the area earned its World Heritage title. And upon experiencing the site, we could all agree.
Poetry was written all over our two day trip as we drifted away from our student life in Delft and wandered into the lives of ecologists, birdwatchers, the inhabitants of Holwerd and Ameland and the ferry captains. We saw both natures beauty in the astonishing sunset sky, the dancing bird formations and the foggy dunes in the morning light and man’s whit in the terps of Holwerd, the abstract line of the dikes and openness of the polders. When we looked up to the night sky, it was the first time in a while that we could see the stars and when we climbed up to the panorama deck on the ferry, the Wadden Sea showed off its looks presenting the tidal flats.
It is safe to say that the Wadden Sea area is unique and that hopefully, the next adventure will bring us to another place like this.
Young Dr. Rudi van Ettegers sample of the designed Landscape Aesthetics of Walcheren under sonsorial examination at Wageningen by Dr. Saskia de Wit from Delft.
Rudi van Etteger
Date: 10 November 2016
Time: 11:00 – 12:30
Location: Aula, building 362, Gen. Foulkesweg 1, Wageningen
Beyond the Visible. Prolegomenon to an aesthetics of designed landscapes
Group: Wageningen University, Landscape Architecture
Promotor: Prof.dr.ir. A. van den Brink and prof.dr. H.G.J. Gremmen
Co-promotor: Dr. R.C.H.M. van Gerwen
In this thesis the appropriate aesthetic evaluation of designed landscapes is explored. The lack of a specific theory for the appropriate appreciation of designed landscapes in environmental aesthetics has made it possible for landscape architects and critics to belief that landscapes are scenic entities. Actual design criticism as offered in the Landscape Architecture Europe books is shown to be based on the inconsistent belief that aesthetic experiences of works of landscape architecture are mostly visual. To explore what an appropriate appreciation should be based in, the ontology and phenomenology first of the particular designed landscape of Walcheren and consequently designed landscapes in general are explored. The exploration has provided important cues for the aesthetic evaluation of designed landscapes which form an evaluative framework for the appropriate appreciation of designed landscapes. A discussion is provided on the importance of such an appropriate appreciation for different audiences.
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